Wednesday, 18 December 2013

A poem for Christmastime


Another Effect of Global Warming

The last of the ice cap finally splinters like a tray
of ice cubes cracked into a pail,
and the wooden workshop floor buckles into the ice cold
water and begins to sink. Slowly
at first, bottle-bobbing in the black and white
ice-choked swells, then slipping deeper
as it fills, until its buoyant trash
spills out – nutcracker, skin horse, and baby doll –
bubbled up and scattered all about, each
in a dead-man’s float, before the whole picture is swallowed.

As the surface calms itself, the candy-coloured spires
of the workshop plunge downward
through the ever-darkening green, trailing
its inventory of rewards, its thousand years of legend,
its blackmail paid in chores and the niceness
of the nice. Yes, Virginia,
there is a Greenland shark, with parasites
trailing from its blighted eyes,
nosing through the wrecked and lightless halls of Christmas
deep beneath the vanished ice. 


From The Reinvention of the Human Hand (M&S, 2010).  


Photo Credit: Collection of Dr. Pablo Clemente-Colon, Chief Scientist National Ice Center. Creative Commons.


Friday, 6 December 2013

Stuart Ross's Our Days in Vaudeville

 

I'm very happy to have collaborated with Stuart Ross on some of the poems in his latest book Our Days in Vaudeville. Every poem in this book is a collaboration between Ross and one of 29 other writers. 

It launches this Sunday in Toronto with other Mansfield Press titles. Please come! 

Mansfield Press Fall Launch Party!
Sunday, December 8, 7:30 pm
The Monarch Tavern, 12 Clinton Street (just south of College)
Free
Readings by Stuart Ross (+ guests), Stephen Brockwell, Jason Camlot, 
Glen Downie, Sara Heinonen



Saturday, 23 November 2013

Friday, 15 November 2013

New Chapbook News!

A new chapbook of my poems called "The Technology of the Future Will Emerge Hungry: Erasure Poems" (published by Proper Tales Press) will be available tomorrow at the Meet the Presses Indie Literary Market. It takes place in Toronto at the Tranzac Club from noon till 4:30. 

Monday, 28 October 2013

Rock & Rule: a forgotten Canadian, post-apocalyptic rock opera.

For all the Lou Reed fans out there: Canadian animation company Nelvana's first feature film was 1983's Rock & Rule. This ambitious post-apocalyptic rock opera took too many risks for critics and audiences of the time and has faded into obscurity. Aimed at an older audience -- with songs and musical performances by Cheap Trick; Debbie Harry; Iggy Pop; Earth, Wind & Fire; and the late Lou Reed -- Rock & Rule attempted to capitalize on the campy, cult popularity of 1981's animated film Heavy Metal (also a Canadian production, produced by Ivan Reitman) as well as the music and fantasy films of American animator Ralph Bakshi (for you Bakshi aficionados, Rock & Rule is like American Pop meets Wizards). They don't make them like this anymore, and that's a shame. Thirty years after its initial release, Rock & Rule is a slick, moody, forgotten gem that deserves a second look. This is a cult movie waiting for a cult. Apparently, you can watch it on YouTube.
 

Monday, 9 September 2013

Paul Vermeersch at the Tree Reading Series in June, 2013.

Here's a reading I did at the Tree Reading Series in Ottawa in June, 2013. I read from my books Between the Walls and The Reinvention of the Human Hand, as well as some newer work not yet published in book form.




Thursday, 1 August 2013

Australian poet John Wainwright interviews me before I head to Brisbane for the Queensland Poetry Festival





Paul, what do you intend to present at the Queensland Poetry Festival this year?


Well, John, I guess I’m bringing the kitchen sink! Most likely, I’ll have poems about cavemen and cartoons, about gorillas and grizzly bears, about dogs that get shot into space. All those things are in my most recent book, The Reinvention of the Human Hand, which was published in 2010. It was received quite favourably here in Canada, so I will definitely be reading from that. I will most likely read some older work, as well: more bears and cartoons, and maybe something a little more frightening. I’ll be reading in front of an Australian audience for the first time, so I’m hoping to give them something memorable.

Well that sounds very Canadian! What are your main sources of inspiration?

Interesting. Can you tell me why that sounds very Canadian? Is it the bears?
I get my inspiration from everything around me, I suppose. From books and film and television. From people I know, or people I don’t know. I think the creative mind is a lot like an oyster. I will encounter a certain thing, like a gorilla using sign language or a video game or a cave painting, and something about that thing sticks in me, like a grain of sand inside an oyster. My mind starts spinning a poem around it the way an oyster makes a pearl around a grain of sand. But poems are more tricky than pearls, and the human mind is not as perfect a craftsperson as the oyster. The hard part is polishing the pearl (or poem) well enough so that you want to show it to other people; then, when you have enough of them you can string them together to make a necklace (or a book, if you prefer).

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