Wednesday, 1 April 2015

No Ceremony: An Art Show

I'll be included in a group art show at Milk Glass Gallery opening April 30th and running until May 3rd. It's a short run, so mark your calendars. I'm joining artists Kimikimo, Justin Peroff, Tawlst, and Hieram in this show, for an eclectic, energetic, non-themed exhibition.

Music for the opening night will be courtesy of Brendan Canning.

RSVP via Facebook.




Monday, 2 March 2015

Readings in March

I have three readings this month, with appearances in Kingston, Toronto, and Ottawa. Details below: 

MARCH 17, 2015 
KINGSTON, ON 
READING AND Q&A: QUEEN'S UNIVERSITY
1pm - 2:30pm
Watson Hall 517, 49 Bader Lane

MARCH 22, 2015

TORONTO, ON
READING: THE HIJ READING SERIES 
2pm
260 Ryding Avenue, Toronto
I'll be reading with novelist Kathryn Kuitenbrouwer. Details here

MARCH 29, 2015
OTTAWA, ON

READING: VERSEFEST
4:30pm

Pressed Cafe, 750 Gladstone Street 
I'll be reading with Dennis Cooley, Frances Itani, and Steven Artelle. Details here.







Saturday, 28 February 2015

Jonathan Ball reviews Don't Let It End Like This Tell Them I Said Something for the Winnipeg Free Press

Thanks to Jonathan Ball for this thoughtful take on my latest book.  


"The true test of poems like these, many of which are composed by erasing or composting other poems, is whether or not the trace of the originals is lost and their text reclaimed in some way that feels both original and inevitable. At their best, Vermeersch's lines reach out like a reckoning storm.

Read the entire piece here.


Friday, 23 January 2015

Platform Reading Series: February 5th

I'll be reading with fellow faculty and students from the U of T's School of Continuing Studies in the Platform Reading Series on February 5th.


Tuesday, 6 January 2015

Chatting with Susan Gillis about my new book.

I recently had the opportunity to chat with the poet Susan Gillis briefly about my new book for her blog Concrete & River. Here's a sample of what we talked about:

SUSAN GILLIS: What brought you to poetry? Or, if you prefer, what brought poetry to you?  
PAUL VERMEERSCH: I think it starts with colouring books. I always hated colouring books. Blank paper was always better. When I was a kid, all I wanted to do was draw, to create my own images. Colouring books demanded orthodoxy, an adherence to a prescribed pattern and colour palette. But I wanted to play, to explore! When I got older I discovered that you can make art using language instead of crayons or paint. I tried writing songs. I tried writing stories. They didn't seem to fit, but eventually you just grow into things. I think I grew into poetry the same way I grew into my father's hand-me-down leather jacket. I started writing poems because they fit me best, and I discovered that I liked reading them best, too. All art forms are a kind of hand-me-down, I think. They come from the past. They are given to us, and they have traditions associated with them, but we have to decide what to do with them next.

Read the entire conversation here.


Wednesday, 24 December 2014

Postcards / Mail Art

Here's my new project for the new year. I'll be doing mail art. For ten bucks, I will send you an original hand-drawn postcard. See here for details. 






Wednesday, 10 December 2014

What critics are saying about Don't Let It End Like This Tell Them I Said Something

"Vermeersch's writing is a fascinating example of what 21st century poetry could be, should be, or already is." 
-- CV2

"Demonstrating remarkable virtuosity and range, Vermeersch here assumes the mantle of the prophetic, post-apocalyptic poet, and the poems suitably offer a paradoxical mix of cynicism and hope." 
-- Jason Wiens, Quill & Quire

"Like Y2K survivalists and street corner preachers, Paul Vermeersch seems to insist the apocalypse has been upon us for a while, now... he brandishes a hallucinatory aesthetic, truly visionary, akin to controversial filmmaker Lars von Trier, and fashion wunderkind Alexander McQueen: morbid and glorious, extravagant, obscure, with an almost taxidermic fixation on the sublime and horrifying."
-- Diego Bรกez, Lemon Hound

"With the art references, architectural language, philosophical musings, literary hat tips, and found text, a multi-genre work like Don't Let It End Like This Tell Them I Said Something is a book I'm compelled to read with open window to Google... While the Academy led me to Atwood, Ondaatje, and Cohen, I'm happy to return--with a little context--to Vermeersch."
-- Domenica Martinello, The Town Crier